Tuesday, July 3, 2018

DrogeMiester's Billboard Analysis - July 7, 2018

The new Billboard charts have arrived and so it's time again for me to give you my thoughts! In this weekly post, I cover three sections. First, I give my thoughts on the top 10 of the Billboard Hot 100. Second, I give my thoughts on the songs that experienced significant gains below the top 10. Third, I give my initial thoughts on our new arrivals this week. I reserve the right to switch things up in the future, but for now this is what I'm sticking with. I've followed the Billboard charts for a long time now and this is a great way for me to express my thoughts to the world. I hope you enjoy!

Billboard Hot 100 Top 10:




1- "I Like It" - Cardi B, Bad Bunny & J Balvin (+1) -- No surprise here with Cardi B rising to No. 1. She's actually not No. 1 in any of the three categories, but is consistently strong in all three of them, being No. 2 in sales, No. 3 in streaming and No. 7 in radio. Personally I have mixed feelings on this song. It's kinda fun seeing Pete Rodriguez's classic 1967 song "I Like It Like That" hit No. 1, but this specific iteration sees this trio of artists taking turns spitting in that song's face as their additions to the song are cringe-worthy, especially Cardi B. In terms of history, Cardi B is now the only female rapper to have two No. 1 hits, which is a statistic that surprised me. I thought there were more female rappers to top the charts and I was certain that at least one of them had a second No. 1 hit. But nope. Prior to this week, Lauryn Hill, Lil' Kim, Shawna and Iggy Azalea were the only other female rappers in addition to Cardi that were tied at one No. 1 hit a piece. And yes, it's very true that Nicki Minaj has yet to hit No. 1, which I find really amusing. Now every time you hear Nicki rapping that she's the best and on top of the world, well, she's lying through her teeth. Cardi is ahead of her. And Cardi did this with her debut album. The last time any female singer had two No. 1 hits on her debut album was Lady Gaga in 2009. Macklemore & Ryan Lewis last achieved this in 2013 among all artists.

Cardi should feel lucky that she got to No. 1 this week because it very well could be her only week at No. 1 with this song. Drake recently dropped his new 25-track album "Scorpion," which is set to shatter all sorts of records next week as it's already set a bunch of streaming records in the few days it's been out. Drake could have upwards of eight songs in the top 10 next week, with the potential of five or six top 10 debuts. "Nonstop" by Drake should be the song that'll debut at No. 1 next week.

2- "SAD!" - XXXTENTACION (-1) -- X quite nearly spoiled Cardi's chances of getting to No. 1 as all of his songs held rather well on the charts in the second week following his murder in June. I don't expect them to last too long on the charts, but it's very possible that they hold onto enough streaming to slowly disappear instead of completely dropping off like most songs do when they are boosted following the death of an popular musician. Specifically concerning "SAD!," it debuted it's music video last week, which helped it remain mostly steady in streaming this week. But given how much Drake is dominating streaming right now, this song, along with most songs from various hip-hop artists, are probably set to take a huge hit next week.

3- "Lucid Dreams" - Juice WRLD (+1) -- Juice WRLD is close to getting his own No. 1 hit as he rises up to No. 3 this week and with "Lucid Dreams," which is No. 2 on streaming, just barely behind "SAD!" by X. The problem is "Lucid Dreams" is only No. 19 on sales and still hasn't seen the light of day on the radio charts. With Drake dominating streaming at the moment, it might be hard for Juice WRLD to fully recover in two weeks following Drake's debut week as this needs to start getting something on radio or else the floor is going to completely fall out for it here soon.

4- "Girls Like You" - Maroon 5 featuring Cardi B (+1) -- I don't know why this is still the No. 1 song on the sales charts right now. It's remained way to consistent there for my personal comfort. Not to mention it's still soaring high on radio because of the radio's continued love affair with Maroon 5. Thus this song unfortunately should survive the Drake onslaught, even though I would love for it to get killed off.

5- "Psycho" - Post Malone featuring Ty Dolla $ign (+1) -- I was really excited last week when "Psycho" fell out of the top five for the first time since its debut on the charts several months ago. But just like that it's back in the top five. That because "Nice for What" collapsed down to No. 6 this week. But this is only temporary since "Nice for What" is going right back up next week, along with every other Drake song. In fact, I'm almost certain that Post Malone will get completely bullied out of the top 10 next week. I'm hoping it will be weak enough to not recover in two weeks.

6- "Nice for What" - Drake (-3) -- Drake falling out of the top five with "Nice for What" speaks to the song's long term prospects. It's had a really good chart run so far and it'll be looking to wind down its run. However, as I've said several times now, Drake's album dropped and that'll send "Nice for What" straight back up. Possibly as high as No. 2 next week. And it could celebrate even more weeks in the top five depending on how well Drake holds in two weeks after his big week next week.

7- "Boo'd Up" - Ella Mai (=) -- Ella Mai has reached the top 10 on the sales chart and is still doing really well on sales. But I've said for a while now that the radio just isn't there. In fact, it down in radio this week, which is a bad sign.

8- "No Tears Left to Cry" - Ariana Grande (+1) -- I'm hoping for an Ariana resurgence in two weeks because the radio for this song has really started to pick. which is a great sign. But thanks to Drake, this song will take next week off when it comes to the top 10.

9- "God's Plan" - Drake (-1) -- "God's Plan" looks like it has even less life in it than "Nice for What" as I would've guessed that this would be the song's last or second to last week in the top 10 had it not been for Drake's album, which will boost it up next week. After that, I'm not sure how much longer this will have. But it's certainly had a good run.

10- "Meant to Be" - Bebe Rexha & Florida Georgia Line (+1) -- It's a slight surprise seeing this song in the top 10 for one more week. Even though "The Middle" is still No. 1 on the radio charts, it's sales and streaming no longer exist, which led Bebe and FGL to celebrate once more. I don't think this would even be here next week even without Drake's album. But it's definitely guaranteed to get murdered next week.


Rising on the Hot 100:





13- "Moonlight" - XXXTENTACION (+3) -- Most of X's songs fell a bit this week, which was expected. The big surprise is that they didn't fall more. However, a bigger surprise is that this specific song actually rose on the charts and I'm not even sure why.

14- "Better Now" - Post Malone (+9) -- I don't know if you could tell by now, but I'm really done with Post Malone. Sure, this song is better than "Psycho" and "rockstar," but that's not a very high bar to reach. I hope this song's momentum sputters out.

15- "Plug Walk" - Rich the Kid (+17) -- As for why people are still streaming this song to death, I have no idea. This is more worthless and stupid than most rap songs today.

16- "Mine"- Bazzi (+4) -- Bazzi refuses to go away with "Mine" as it continues to camp around in the teens, but it looks like its chance to hit top 10 has long since passed

17- "Perfect" - Ed Sheeran (+4) -- "Perfect" has had a surprising amount of legs on the charts. I'm impressed. But it's not going to get a second wind. It just rose up because most of X's songs fell.

20- "Delicate" - Taylor Swift (+7) -- I'm really hoping Taylor Swift can continue her upward momentum on the charts. If this sputters out in the teens or even here at No. 20, I'll be disappointed. "Delicate" is getting great radio, so I think this will at least remain consistent here in the mid-region of the charts.

21- "Tequila" - Dan + Shay (+13) -- This I don't understand. "Tequila" is not a bad country song, but it's extremely average, so why it's now almost at the top of the country charts is beyond me.

30- "Taste" - Tyga featuring Offset (+8) -- I would love it if Drake is able to kill this song's momentum. I think a lot of hip-hop songs will especially suffer next week and I can only hope that this is one of them.

41- "I Like Me Better" - Lauv (+6) -- Almost top 40 for Lauv. Most of the really good songs this year have failed to do much on the charts, so I'm hoping this song can continue to go upwards because we could really use some actual quality. If you're new to this song, make sure you check out the Ryan Riback remix. The original is good, but that remix adds even more life to it.

44- "Get Along" - Kenny Chesney (+6) -- This song almost does it for me. A decent effort from Kenny Chesney. But ultimately not quite good enough for me to be excited that this is now a top 50 hit.

45- "Simple" - Florida Georgia Line (+9) -- This, on the other hand, is the country song that I'm happy for. Of course FGL goes with a more folkly, pop flavor with this. The title explains the song rather well. It's simple. But it works.

48- "Mercy" - Brett Young (+12) -- I wish I was happier for Brett Young as he gets another top 50 hit. Country radio has now completely fallen in love with this guy and usually I'm cool with that, but this is just not that good of an effort from him.

49- "One Number Away" - Luke Combs (+8) -- A whole handful of country songs getting top 50 this week and only FGL's "Simple" is going to get praise for me. This Luke Combs song isn't offensive, but it is horribly cliche and boring.

57- "Dura" - Daddy Yankee (+13) -- I've been wondering what "Dura" is going to do on the charts. I've been expecting Daddy Yankee to add an English-speaking pop star to the song in a remix because that's how he got "Despacito" so popular, but all he did was a remix with Bad Bunny, Becky G and Natti Natasha back in April. So that's a curious move. But hey, if this original can do well on its own, I'm totally fine with that. Although I think the ceiling is fairly low.

70- "Hope" - XXXTENTACION (+10) -- This is the other song from X to rise this week. And since it was a new entry last week as opposed to a re-entry, I'm not totally surprised. I don't think this song will stick around much, but we'll see.

73- "Drowns the Whiskey" - Jason Aldean featuring Miranda Lambert (+12) -- A boring country drinking song where Jason Aldean brings Miranda Lambert on just for backing vocals. What a waste. But hey, what did you expect from Jason Aldean?

75- "I was Jack (You were Diane)" - Jake Owen (+19) -- If we want to talk about a country song with some actual intelligence behind it, this is the country song to turn to. I love the original version of this song and I think Jake Owen did a great job of putting his own spin on it. I'd be totally fine if this picked up some steam on country radio.

79- "I Know You" - Lil Skies featuring Yung Pinch (+13) -- Can we just forget that these two punks ever made music? That would really be nice as neither of them has any ounce of talent.

81- "Medicine" - Queen Naija (+19) -- In case you forgot Queen Naija existed, she's back. "Medicine" debuted at the same time as "Boo'd Up" did. While "Boo'd Up" shot straight to the top 10 of the Hot 100 rather quickly, Queen Naija fell off the charts until last week. If she can somehow manage to gain traction, I think that would be really cool because I enjoy this song more than I do "Boo'd Up."


New Arrivals:





58- "Sober" - Demi Lovato -- I listened to this song shortly after the lyric video dropped on June 21 and I was immediately touched by it, so I'm glad to see it on the charts this week. The big story behind this song is that early this year on Twitter, Demi tweeted out that she is now celebrating being six years sober. Three months later she releases this song, which is her apologizing that she's not sober anymore, implying that she relapsed recently. There's not justifications or excuses in the lyrics. She apologizes to her mom and dad. She apologizes to a former lover. She apologizes to her fan base and anyone else that's been on this journey before. She talks about her feelings of being lonely and how she wants to be a role model for everyone, but confesses that she is still human, which is something we often forget with celebrities. They're humans just like us. She ends the song by saying she promises that she'll get help and then says sorry to herself. This is such a raw, emotional song that we don't see too much of in the mainstream. Everyone else is releasing all these generic songs with generic lyrics. And Demi releases a song where she pours out her whole soul. I love that!

65- "Legends" - Juice WRLD -- Juice WRLD recently released his debut album "Goodbye & Good Riddance," which includes his two big hits "Lucid Dreams" and "All Girls Are the Same," the former of which I enjoy, but the latter I don't. I naturally assumed "Legends" was a third release from that album since the album is doing very well on streaming, but it's not. And at first I was confused, but then I learned that this song is a tribute to XXXTENTACION and Lil Peep that Juice WRLD wrote follow the news of X's death, so that I appreciate. The message he has to say with that is one of uncertainty and confusion, which also feels very honest. He talks about being shocked out the unexpected death of X as well as being sad about Lil Peep overdosing and suddenly he doesn't know if he wants this newly gained fame. He admits that he doesn't have any specific answers to anything. He's just left in a state of shock and confusion at this point. And that's it. I really appreciated the honest there in the lyrics because I'm sure there's a lot of rappers who feel the same way, but Juice WRLD was the one who expressed it in a song. Musically it's not as catchy and upbeat as "Lucid Dreams," but I don't think it needed to be for what he was going for here.

88- "Coming Home" - Keith Urban featuring Julia Michaels -- Here's a simple song from Keith Urban about how there's nothing in the world like coming home. Compared to what other country singers are singing about right now, this song feels like a step in the right direction as Keith gives a real sentiment and has a catchy enough groove with the music behind the lyrics. But this song left me wanting more. It's a little too simple. He tells us that there's nothing in the world like coming home, but essentially just leaves it at that without going into much detail. And he brought on Julia Michaels and the two of them have great chemistry on the final chorus and the outro, but that's all she's here for. She gets a bridge on her own right before that chorus, but it's not enough. Had Keith dove deeper into the song and included Julia Michaels more, then I think this could've worked. As is, it's a nice start, but it feels like an unfinished first draft.

92- "Life Changes" - Thomas Rhett -- On other country news, we have Thomas Rhett talking about the recent changes he's had in his life. And I find it funny because he starts by talking about the bad songs he wrote in college and how they're now on the shelves at Walmart. I don't know if he meant to admit that all his current music is bad and he doesn't know why everyone likes it, but that might be the truest thing he's said in a song. All this guy does it write dumb, boring country-pop songs and for some reason he has the whole world in love with him. It's kinda frustrating. But actually I surprisingly found that this song isn't that bad. He talks about getting married in the second verse and having kids in the third verse, after that first verse is about him becoming a famous singer. The chorus talk about how it's funny how life changes sometimes. You have all these plans, but then life takes you in a very different direction than what you're expecting. Granted, I don't feel this is anything special or life-changing coming from Mr. Rhett. It's more like decent album filler. But hey, I'll take this over most other stuff he's done, so we're making progress here.

95- "The Light is Coming" - Ariana Grande featuring Nicki Minaj -- I mentioned last week that I really like Ariana as a pop singer, but I also get frustrated with her because after releasing a genuinely good pop song, she'll then turn around and release something trashy, like a Nicki Minaj collaboration, which she does way too much of. This here is our second Ariana and Nicki collaboration is as many weeks. Luckily this week sees Nicki as the featured artist and she only has one verse. At the very beginning. And it's so dull and typical Nicki that by the middle of the song, I forgot the verse had happened. That's also because this is such a strange song with so many experimental things that Ariana does, like a repeated like from a 2009 confrontation between a member of the public and a Senator from Pennsylvania wherein the person says, "You wouldn't let anybody speak and instead." That line is literally repeated throughout the song in the background as Ariana was doing all sorts of weird things with her voice and with the construction of the verses. All of it was so distracting that I couldn't pay attention to what she was saying in the song. Even reading the lyrics makes me unsure. Something about the light is coming to give back everything the darkness stole, but I'm not sure what context that speaks of. Ariana has an album coming out this year called "Sweetener" and this is the second released song from it after "No Tears Left to Cry." Let's hope the album as a whole is more like the latter song and not like this. But knowing Ariana's albums, it'll probably be a mix of both.

97- "Solo" - Clean Bandit featuring Demi Lovato -- We start with Demi and we end with Demi this week. Except this song isn't quite as new as "Sober" as it's been around since, well, the movie "Solo" was released in late May. Pure coincidence there, though. This song is No. 4 on Billboard's Hot Dance/Electronic Songs and is in its sixth week on that chart. Clean Bandit usually does quite well on those EDM charts, but it's always nice to see them crossover to the Hot 100. Something that DIDN'T happen with "Symphony" featuring Zara Larsson last year. I'm still mad about that. And as is always the case with Clean Bandit, the rest of the world seems to get them as this has been No. 1 in a lot of different countries, but is just now hitting the Hot 100 here in the U.S. If it seems like Clean Bandit and Demi would go good together, it's because they do. No, this song isn't quite on the level of a "Rather Be" or "Symphony" for Clean Bandit, but they provide a fun groove to dance to with this song and Demi is on point with her vocals, even though the song isn't meant to be a strong, power ballad, meaning Demi doesn't get to her usual upper register. The lyrics might be the weakest element of the song as it's a typical "sad about being single" song, but it works well enough. Now if we could somehow get Clean Bandit to be as popular here as they are internationally, that would make our Billboard charts a much better place. So make it happen, America!

Thursday, June 28, 2018

DrogeMiester's Billboard Analysis - June 30, 2018

The new Billboard charts have arrived and so it's time again for me to give you my thoughts! In this weekly post, I cover three sections. First, I give my thoughts on the top 10 of the Billboard Hot 100. Second, I give my thoughts on the songs that experienced significant gains below the top 10. Third, I give my initial thoughts on our new arrivals this week. I reserve the right to switch things up in the future, but for now this is what I'm sticking with. I've followed the Billboard charts for a long time now and this is a great way for me to express my thoughts to the world. I hope you enjoy!

Billboard Hot 100 Top 10:




1- "SAD!" - XXXTENTACION (+51) -- Take it, X. And keep it for as long as you want. I said this on my personal Facebook page the day the news broke, but this is a time when we put our personal feelings aside and mourn the loss of a 20-year-old kid. No one deserves to die, especially not someone that young. He had his whole life in front of him, which included the opportunity to change and become a better human being. And now that opportunity has been taken from him. No, I didn't like his music and no, I didn't think he was a very good human being. I mean, he was awaiting trial for domestic violence charges wherein he beat his pregnant girlfriend. So he probably belonged in prison for an extended period of time. But that's still not cause for celebrating his death, which I've seen some people on the internet do. That's disgraceful. On the flip side, I've also seen people praising him as a legend, one of the greatest rappers and/or this generation's 2Pac. Well, I'm certainly not going to complain about that. Just don't expect me to take it that far because I still don't like his music. But I sincerely mourn his loss. It's a tragedy that he was taken way too young.

In terms of this song specifically, I actually don't think it's that bad. And I said that when it debuted back in March. It leans towards pop more than hip-hop and musically it's a pretty good song. I think my biggest problem is that it feels underwritten. He has one short verse, then repeats the chorus six times. It would've been nice if he went in to more depth rather than just scratching the surface, but I would've been alright with this being a huge hit even before X got killed and I'm definitely fine with it staying here with all things considered. However, history suggests that songs that get a boost after an artist passes away usually only lasts a week, so objectively speaking I only expect this to stay No. 1 for this week, but if it sneaks in a few more, I'm totally fine with it.

2- "I Like It" - Cardi B, Bad Bunny & J Balvin (+1) -- With "SAD!" being down at No. 52 before X got shot, it means had that not happened, Cardi B would've been No. 1 this week as she passed both "Nice for What" and "Psycho." I'm sure Cardi is totally fine with waiting a bit before getting No. 1. She does have strong competition for the spot, but the advantage she has on everyone else is that she's consistent in all three categories rather than just being lopsided in one or two, so my money is on Cardi getting No. 1 next week if X falls from the top spot.

3- "Nice for What" - Drake (-2) -- Drake may have been dethroned... again. But surprisingly I wouldn't completely rule out a fourth separate trip to No. 1 with this song as Drake's album gets released on Friday, meaning I fully expect both this and "God's Plan" to get a huge boost the week after next as album drops usually do that for an artist. But with fading totals in all categories, will that boost be enough?

4- "Lucid Dreams" - Juice WRLD (+2) -- The biggest challenger for Cardi B on next week's charts is this song. Personally I would prefer this song over Cardi's as I still think this is a pretty good song. It's an absolute monster on streaming right now, with totals that very well could push it to the top despite lacking in the other two categories. I will say that sales are catching up, but still not super strong. Yet the big problem is that radio still hasn't touched this song as it hasn't even debuted on the radio charts yet. While streaming can carry this momentarily, absolutely no radio will hurt it in the long run. I'm honestly confused why radio hasn't given this more of a look. All the other rap songs in the top 10 right now have decent radio. Even if you hate this song, is it really that much worse than the likes of Cardi B and Post Malone?

5- "Girls Like You" - Maroon 5 featuring Cardi B (=) -- My nightmares of this song sticking around for a long time are coming true. Radio is starting to eat this up as the numbers continue to skyrocket. Meanwhile sales are still really good and streaming, mostly thanks to the YouTube, is also surprisingly strong. Yet every time I see the title, it's the Kip Moore song titled "More Girls Like You" that I start singing while I'm not even able to recall this tune unless I go relisten to it, which I haven't cared to do much because I never cared much for it in the first place.

6- "Psycho" - Post Malone featuring Ty Dolla $ign (-4) -- This is my favorite part of this week's top 10. Seeing "Psycho" plummet from No. 2 to No. 6. When I first saw this, I literally was as giddy as a little school boy. It's about freaking time. Oddly enough, it's the streaming that's the problem for Post Malone. The sales are declining, but not by a lot while the radio is mostly steady. But the streaming completely bottomed out this week, sending this falling out of the top five.

7- "Boo'd Up" - Ella Mai (=) -- I've said this for several weeks now, but despite great streaming, the radio and sales just aren't rising fast enough for Ella, thus she seems to remain stuck here at the bottom half of the top 10. Honestly I'm kinda surprised that radio hasn't moved very fast as its still below the top 10 at No. 15 overall and no where to be heard on pop radio. I mean, why is pop radio playing Post Malone on repeat and falling in love with Maroon 5 again while tossing Ella Mai to the curb? That confuses me.

8- "God's Plan" - Drake (-4) -- "God's Plan" spent a LONG time in the top five after debuting at No. 1. 21 weeks to be exact. In fact, this is the first week that it's been out of the top five. But as I said with "Nice for What," don't be surprised to see this get a boost in two weeks when Drake's album, which releases on Friday, will impact the charts. It should at least celebrate one final week in the top five when that happens.

9- "No Tears Left to Cry" - Ariana Grande (=) -- I'm really glad that pop radio has fallen in love with this song by Ariana. It's a fantastic pop song. I'm kinda sad, though, that the other categories don't have as much life in them comparatively, thus leaving Ariana stranded at No. 9 yet again, instead of going up on the charts like she deserves.

10- "The Middle" - Zedd, Maren Morris & Grey (-2) -- One more week for this trio of acts in the top 10 as they hang on for dear life to the No. 10 spot? This song is still No. 1 on the overall radio charts, which is the reason it's maintained enough momentum to still be here, but it's started to plummet on pop radio while losing hard in sales and streaming. So yeah, this could be gone as early as next week.


Rising on the Hot 100:





15- "I'm Upset" - Drake (+13) -- We got an odd mix of new arrivals this week which combined with XXXTENTACION dominating with a whole ton of re-entries. "Moonlight" at No. 16, "Changes" at No. 18, "Jocelyn Flores" at No. 19, "F--- Love" at No. 28, "Everybody Dies in Their Nightmares" at No. 42, "The Remedy for a Broke Heart (Why Am I So in Love)" at No. 58 and "Numb" at No. 82. That means not a lot of rising songs this week, but I'm sure we'll get more next week. What we did get is Drake's next single looking like it's heading for a top 10 spot, which is unfortunate. The song got a huge boost this week thanks to the music video and will get another boost in two weeks with the album. Yes, I liked both "God's Plan" and "Nice for What." I do not like "I'm Upset," so I'm not happy that it's gaining traction. You can say... I'm upset.

49- "Youngblood" - 5 Seconds of Summer (+30) -- We jump straight from No. 15 to No. 49. No rising songs in between all of that. But I'm sure next week will compensate for that, though. This week 5SOS got a pretty big boost with their album release. I haven't listened to very many albums this year, but this one certainly wouldn't be high on my list to catch up with. That said, I don't hate "Youngblood," so who knows.

63- "I Lived It" - Blake Shelton (+13) -- Out of all the country songs this week that could've had a big boost, why this one? Oh. Because it's Blake Shelton. Lame. When will the world of country finally give up on this guy?

87- "Welcome to the Party" - Diplo, French Montana & Lil Pump featuring Zhavia Ward (+13) -- This song debuted a few weeks back, but has spent the time in between not being able to decide what it's going to do. It disappeared, then re-entered, then fell to No. 100. Now it jumped up to No. 87. What's next? I'd say get rid of it.


New Arrivals:





13- "APES---" - THE CARTERS -- The biggest story in the new arrivals section is the surprise album drop from Beyonce and JAY-Z called "EVERYTHING IS LOVE." On the album, their calling themselves THE CARTERS, which makes sense since they are the Carters, of course. Married since 2008. Together long before that. Of the nine tracks from the album, five of them debuted this week, most of them towards the bottom of the charts. But this song is the biggest new song from them, nearly getting them a top 10 debut. And yes, it's censored in this post because I don't type up curse words on this blog. Both JAY-Z and Beyonce released their own albums individually, "4:44" and "Lemonade." I think I was supposed to be madly in love with both of them. I wasn't. Sorry. Doesn't mean I hated them. I just didn't love them. Is that OK? If not, well, tough. It's my opinion. Thus I can't say I was excited when this album dropped. But I was curious to see what they came up with.

We're not off to a very good start with this first song, though. I can see the conversation right now. "Hey love, we should do an album together!" "Great idea! What should we sing about?" "Let's sing about how rich we are and about how we're on top of the music world." "Another great idea! Let's make sure we bring in Migos with our big single that we'll promote." "Perfect!" Yeah, these two are capable of MUCH better than this. The beat is fine and their flow with the rap is pretty good, but for crying out loud I don't give one iota about the content here. It's boring and lazy. And having Quavo and Offset on the song with their echoes and sound effects making it even worse for me. Quite frankly, Beyonce is terrible on this song as she sounds bored when she's delivering her lazily written lines. At least JAY-Z is on fire with his verse, but he's not in this specific song very much. And now I'm sure I'll have people trying to convince me of how much of a masterpiece this song is. But I don't care. I don't see it.

43- "Bed" - Nicki Minaj featuring Ariana Grande -- I consider myself a fan of Ariana Grande, but occasionally she frustrates me by doing stuff like this with Nicki Minaj. Granted, this is not as explicit and awful as some of their previous collaborations, nor is it close to as disgustingly graphic as last week's "Rich Sex" by Nicki and Lil Wayne, but this is still just a sex song. Ariana handles the chorus where she tells the boy that she has a bed with his name on it and a kiss with his name on it. And that's it. Those were the only lines that Nicki gave her in this song. She just repeats them a lot. Then Nicki in her verses talks about her thousand dollar sheets on this bed and the strawberry lingerie she'll be wearing while she's waiting. Her rap isn't as annoying as it often is, so I guess this is acceptable, but I'm mostly just bored with it. With this combined with "Rich Sex," I'm guessing Nicki has 19 tracks of sex and money that she'll be rapping about on her upcoming album "Queen" this summer. I couldn't be less excited at this point. Let's just hope she doesn't album bomb when it does get released. 

53- "Bigger > You" - 2 Chainz, Drake & Quavo -- Oh my goodness, the stylization of this title gives me a huge headache. The title read out is supposed to be "Bigger Than You." But apparently 2 Chainz skipped math class in middle school because the symbol ">" does NOT stand for "Than." It stands for "GREATER than." So essentially what 2 Chainz has done is create a title that says "Bigger is Greater Than You." Which is a sentence that doesn't actually make sense. But, you know, as long as it LOOKS cool and hip, that's what really matters in the rap world, right? Well, as you might guess, the song itself is as unintelligent as it looks. Drake phones in a verse at the end. Like, literally. He mumbles and slurs his way through his verse that probably took him two minutes to write, record and send over to 2 Chainz. Quavo takes care of the chorus were he has some random, generic flex rap while 2 Chainz in his verses talks about all the fancy stuff he owns and how it makes him better than you. Yeah... snooze.

55- "DDU-DU DDU-DU" - BLACKPINK -- Let me start by fully admitting that this is an incredibly stupid song. And these girls need serious work when it comes to their lip-syncing in their music videos. I mean, they hit these super high notes, but in the video they're barely opening their mouths. That aside, this is the type of really stupid song that I will categorize into the guilty pleasure. It's like how we all have a ton of fun in dance parties when we ride on our invisible horses when "Gangnum Style" plays. It's really stupid. But a lot of fun. I think what makes this fun is that these girls have a lot of talent vocally. This plays into every K-Pop cliche by being a hybrid of every genre, but it does it well. The dance beats are strong and heavy. The vocals of these girls when it hits the pop portion of the song is off the charts. They belt out their verses and it's breathtaking in an Ariana Grande sort of way. Then when we get to the rap verses, they have some fire to that. Instead of lazily checking the boxes like our other K-Pop group, these girls check the boxes, but then go above and beyond with those cliches. If that makes sense. Most of the lyrics are in Korean, but then we have random bits of English like "toxic," "I'm foxy," "bad girl" and "test me." Then of course, in full English, we have the kicker, "Wait till I do what I do; Hit you with that ddu-du ddu-du." Whatever that means. In fact, I don't think it means anything in either English or Korean. You don't even need to look up the lyrics. You know exactly what they're saying.

On a side note, one thing I also appreciated is that there are only four of them and they all have distinct purposes and styles in the group. This is what a boy band or girl group should be like. Each member should have a specific purpose. When you have a group like BTS, who have 9,765 members and all but one or two of them are completely useless, that really annoys me.

74- "Born to Be Yours" - Kygo & Imagine Dragons --Kygo and Imagine Dragons? Are we topping our ice cream with a mix of onions, mushrooms and olives? I really love Kygo. I think he's extremely talented. And I used to be a fan of Imagine Dragons. But then they got extremely lazy and generic with their music, thus I turned against them. But maybe if we infuse their music with a bit of Kygo magic that would make them enjoyable again? And yeah, much to my surprise, this is exactly what happens. Although the big reason for that is that this is totally a Kygo song that more or less just features the voice of Dan Reynolds. I'm not sure why the whole band was credited or what they did in the recording session, but this is an EDM song that is fashioned perfectly by Kygo with a good tropical beat and a well-placed drop that will have you grooving at dance parties. The lyrics are simple. Dan is singing to a girl and telling her that he was born to hers as well as saying he never knew anybody until he knew her. It's good enough for the song, I suppose, although I could've used a bit more depth, especially since Dan recently just announced his divorce from his wife of seven years. So how does that play into this song? I don't know. I wish he would've explained.

77- "BOSS" - THE CARTERS -- Back to Beyonce and JAY-Z. Did they come up with something more creative with this next song? The answer is no. The good thing about this song when compared to "APES---" is that there are no Migos giving echoes and sound effects. It's just Beyonce talking about how they're boss and their ain't nothing to it. In other words, money and popularity comes easy to them. Maybe that's why she can afford to sleepwalk through this album because she knows she'll get praised to the high heavens for doing jack squat. Yeah, there ain't nothing too this song. The content is boring. Beyonce sounds bored. And not even JAY-Z is on his game this time around as he just talks about his $100 million crib and $3 million watch, all in a very choppy way. That was unfortunate because I thought at least I could count on him.

78- "Ocean" - Martin Garrix featuring Khalid -- Here's a combination that makes a ton of sense. Because Khalid collaborates with everyone, Martin Garrix decided he wanted in on the action and I'm cool with that because Martin Garrix is one of my favorite current DJs and Khalid does best when he's working with the correct people. Martin Garrix is certainly one of those. I will say first that Khalid does a bit more mumbling in this song that I prefer. He's a pretty chill singer to begin with, but he doesn't enunciate all his lyrics in a perfectly clear way. With that out of the way, I like how smooth and relaxing this song is, which goes to show how versatile Martin Garrix. A lot of DJs have their personal style, thus making it fairly easy to tell the difference between a Zedd song, a David Guetta song and a Calvin Harris song, for example, but Martin Garrix is a lot harder to pin down because he does whatever feels right for the song at hand. With a song called "Ocean" wherein Khalid is calmly saying that nothing is going to keep him and his lover apart, Martin Garrix framed that with a relaxing undertone that makes it feel like you are walking on a beach with your lover rather than jamming out to a hardcore dance song, which Garrix is also good at, but was smart enough to know that this wasn't the right song to implement those hard beats in, thus we are left with a relaxing love song that I found myself really enjoying.

80- "Hope" - XXXTENTACION -- This is the week of XXXTENTACION and as I've said above, I'm totally fine with letting him have it. "SAD!" was the biggest benefactor as it soared to No. 1 this week. But as I said in my rising songs section, there were a lot of others that re-entry. Well, here we have a leftover track from X's recent album "?" that never charted with the rest of the songs when the album dropped. Thus this will act as the final new entry from X, unless there ends up being more posthumous releases in the future that he recorded, but never put on an album. As a final entry for X, if that ends up being the case, "Hope" is a nice way to finish things off. Although if I'm being honest, what song suffers from his what the rest of the album suffered from. Being underwritten. X had a nice idea here as this song, as stated in the intro of the song, is dedicated towards those who lost their lives in the Parkland shooting. Or, well, family members left behind. The description on the song's SoundCloud is really nice and touching as he talks about there still being hope despite the fact that we've lost someone we loved. But he doesn't touch on that much on the song itself. It's the chorus repeated twice, wherein he's speaking as the voice of someone going through an awful time bridged together with a short statement saying there's hope for the rest of us. Again, a great idea and sad in retrospect, but I still don't think X ever learned how to properly write a full song. Still, this is acceptable.

84- "SUMMER" - THE CARTERS -- Song No. 3 from JAY-Z and Beyonce from their album. This song actually opens the album and had I listened to this album in order, I might be excited about what they have in store here because this is pretty decent. At least comparatively. The big difference here is that Beyonce is actually trying and she pulls out some classic Beyonce in her chorus as she uses her powerful voice that I know she has, yet also toning it down when she needs to in order to give us a good romantic vibe with this chill summer love song. Although the content of the song is pretty surface level here as she's just talking about making love in the summer time and it's JAY-Z's verse here that feels boring and lazy. Beyonce and JAY-Z have made their fair share of love songs in their days and "SUMMER" is one that I probably won't remember too much. I'd rather return to "Crazy in Love" than touch "SUMMER" again. But at least this is progress when compared to the other two songs. Or maybe the other songs are a digression since "SUMMER" comes first on the album.

85- "Drowns the Whiskey" - Jason Aldean featuring Miranda Lambert -- Any country song with an alcoholic beverage in the title is one that you can almost guarantee that I won't be impressed with. Especially not if it comes from a country artist as boring as Jason Aldean. What I was curious about, though, was the Miranda Lambert feature. She is a good country singer, but what is she doing on a Jason Aldean song about whiskey? Could she make it tolerable? The answer to that is possibly the most frustrating part of the song. Miranda Lambert provides backing vocals to Jason Aldean in this song and that's it. She didn't even get a solo part in the chorus or a verse of her own to counteract Jason Aldean. That could've been something interesting. I mean, he's just complaining about how whiskey is supposed to drown the memory, but the memory ends up drowning the whiskey. That's boring, cliche, country nonsense. Counteracting with a Miranda Lambert verse could've at least been something. But to have a boring country song that brings on Miranda, yet only uses her for backing vocals is a complete waste, turning this song from boring to frustrating.

95- "NICE" - THE CARTERS -- Song No. 4 from Beyonce and JAY-Z's album is indeed the fourth track from the album. So caught this one in the right order. We start with a decent love song in "SUMMER," follow it up with two really bad songs where the happy couple talk about how rich and famous they are. And then we get "NICE." Which is a slight step up from the two tracks following it, but not quite on the level of "SUMMER." I find this song mostly boring as we get the chorus with Beyonce and Pharrell that drags on like taffy and nearly puts me to sleep. Yet the chorus is a huge part of the song. And we also get a post-chorus bit with JAY-Z a couple of times where he says "Nice nice nice nice nice nice" in a very jarring, chopped up way, followed by doing the same with the words "night," "lights" and "ice." That part made me cringe. I thought JAY-Z's verse was fine. Beyonce's two verses were very carefree, which I was mostly fine with. But then in a very carefree, she includes some strange things. And we end the song with a verse from Pharrell. Because... why? His verse doesn't really fit in

96- "Cops Shot the Kid" - Nas featuring Kanye West -- I don't know if you all remembered our series of Kanye West produced albums this summer, but the fourth of five albums in that series, all released one week after the other, was Nas' album "NASIR." And he was only able to chart one song, so I'm just going to talk about this one song. If you are a Nas fan and want to tell me all about the album, then be my guest. But I'm not going to dive into it right now. This one song here is obviously a politically-charged song, which made me nervous because Kanye is on it and Kanye and politics do not mix at all. And I was right to be justified because the second verse, which is all Kanye, is his typical Kanye-isms with him trying to say important things but not being very good at saying them without throwing in at least a bit of controversy as Kanye had to throw in a bit about fake news. Throwing that aside, the rest of the song is actually really good. We start with a Richard Pryor bit about racism, then we get the line "Cops shot the kid" repeated throughout the song by Slick Rick, which includes a scream in it for emphasis. The first verse is Nas properly presenting what Kanye tries to present, that of racism and all the crap that the black community has to deal with when it comes to all the racist cops out there. It's nothing we haven't seen before and I'm not sure there's a conclusion that Nas comes up with or a course of action needing to be taken. I think he could've done that in a second verse, giving this song the impact of a Kendrick Lamar song, but unfortunately as I've mentioned, Kanye comes in and ruins what Nas starting, meaning this song had potential. Perhaps I should look up more of Nas' own stuff without Kanye's involvement as he impressed me.

99- "FRIENDS" - THE CARTERS -- We're going to finish off this mostly underwhelming album from Beyonce and JAY-Z with the sixth track of the album and fifth song that charted. There's four other songs on the album, "713," "HEART ABOUT US," "BLACK EFFECT" and "LOVEHAPPY" that I don't care to listen to because these others that charted had me not caring, so why should I continue? In this song, we have Beyonce and JAY-Z talking about their friends and how said friends have helped them out in their life. That's all fine and dandy. Better than lazily rapping about fame and fortune. However, Beyonce still turns this into flexing as her chorus that repeats has her specifically talking about how her friends are better than your friends. I mean, come on. Do we have to turn everything into a flame war? Why can't we just calmly talk about how good our friends our without bringing in the comparison? What also brings this song down is JAY-Z's super long verse that left me exhausted, even though his content is fine. And Beyonce has a refrain surrounding the chorus that is extremely repetitive. If you loved this album, then feel free to tell me why I'm so wrong. But from the five songs that I covered, I'm not impressed at all. Sorry if that hurts your feelings.

Thursday, June 21, 2018

DrogeMiester's Billboard Analysis - June 23, 2018

The new Billboard charts have arrived and so it's time again for me to give you my thoughts! In this weekly post, I cover three sections. First, I give my thoughts on the top 10 of the Billboard Hot 100. Second, I give my thoughts on the songs that experienced significant gains below the top 10. Third, I give my initial thoughts on our new arrivals this week. I reserve the right to switch things up in the future, but for now this is what I'm sticking with. I've followed the Billboard charts for a long time now and this is a great way for me to express my thoughts to the world. I hope you enjoy!

Billboard Hot 100 Top 10:




1- "Nice for What" - Drake (+1) -- I've never been happier to see Drake at No. 1 as "Nice for What" gets its third stint at top. It initially debuted at No. 1 and stayed there for four weeks. It got dethroned by Childish Gambino for two weeks before going back to No. 1 for two more weeks. Last week it was Post Malone's "Psycho" that took the top spot, but this week Drake fights back and regains the top spot, thanks mostly to streaming as Post Malone actually leads Drake in both sales and radio. Although both sales and streaming numbers crashed for Post Malone this week, likely due to the effects of the iTunes discount wearing off. But still, neither song is particularly strong as "Nice for What" rules with 20,000 in sales, 31.6 million U.S. streams and 87.5 million in radio audience, none of which are particularly strong for a No. 1 hit. And those numbers aren't getting any higher. That means Drake is vulnerable to the likes of Cardi B's "I Like It" and/or Juice WRLD's "Lucid Dreams," the strongest contenders at this point.

2- "Psycho" - Post Malone featuring Ty Dolla $ign (-1) -- I would like to see Post Malone gone from the top 10 altogether, but I'll take him only getting that one week at top as a minor victory. Although that's not much of a consolation prize given that this song is still one of the top songs of the year and only gaining steam the longer it camps here in the top five. I'm so confused as to how such a boring, lazy song can be loved by millions, even when it comes to pop radio. That's 2018 for you, I suppose.

3- "I Like It" - Cardi B, Bad Bunny, J Balvin (=) -- With Drake and Post Malone wavering at the top with weak numbers, Cardi B appears to be in the best position right now to take that top spot away from them. She's actually ahead of them in streaming and in the same ball park in regards to sales. The thing holding her back for the moment is radio as Drake and Post Malone are both still very high on radio. Cardi is gaining on radio, but is still significantly behind and her margins on streaming aren't quite high enough for that to make the difference. But given that this song has gained enough traction to cement its place in the top five for the perhaps unforeseeable future, it's probably only a matter of time before Cardi gets this song over the hump and into that top spot.

4- "God's Plan" - Drake (+1) -- Thanks to a bit of a dip from Maroon 5, Drake recovers a bit with "God's Plan" as it jumps to No. 4. Although I don't think it'll last long as this song is still on the downward track after an excellent run in the top five. If Maroon 5 doesn't jump back ahead, Juice WRLD might push Drake back down.

5- "Girls Like You" - Maroon 5 featuring Cardi B (-1) -- I suppose I'm happy that Maroon 5 fell a spot this week, but the horrible news is that this song is gaining strong on radio. Sales are collapsing following its huge sales numbers last week, but that YouTube video is still going strong, meaning the streaming is still pretty consistent, but given how in love the radio has been with Maroon 5 over the last five years or more, those country-wide DJs are salivating that they now have a new Maroon 5 song to overplay for the next six months or so, which completely crushes me as I have no idea what the appeal of this song is. It's boring album filler made worse by a Cardi B feature that does not fit the tone of the rest of the song, thus screaming desperation on the part of Maroon 5.

6- "Lucid Dreams" - Juice WRLD (+3) -- This is our top song on streaming this week with 38.8 million U.S. streams. The reason why it hasn't jumped into the top five as of yet, despite those large streaming numbers, is that the radio still hasn't touched this song as it still hasn't charted on the radio songs chart and is completely M.I.A. in regards to pop radio. The sales are also pretty weak, but not completely awful comparatively, but if this song is going to contend for a No. 1 spot and make a case to stay in the region for a long period of time, the radio is going to have to do something. Streaming can hold it up for a while, but after a month or two if it still has no radio, this song will start to collapse. But that's just a quick look into the future. I'm still happy this song is around and I'm hoping radio will connect with it because I'd certainly rather have this infiltrate pop radio than Post Malone, Cardi B or Maroon 5.

7- "Boo'd Up" - Ella Mai (-1) -- Same story here with Ella as with Juice WRLD. Streaming for this song is still pretty consistent, currently at No. 5, but sales have collapsed and the radio still hasn't quite caught on as it's No. 16 on the radio charts. Hence is why it drops a spot this week. And it's pop radio that's the problem here as it hasn't crossed over there at all, which is kinda surprising to me. Pop radio has fallen in love with Post Malone and Drake, but they refuse to pick of Ella Mai? I mean, her song seems more pop friendly than those two artists. We'll see if that changes in the coming weeks.

8- "The Middle" - Zedd, Maren Morris & Grey (+2) -- Following the departure of Kanye West and Childish Gambino's song completely collapsing, the bottom half of the top 10 sees some interesting recoveries that I don't know if I saw coming. After this song collapsed to No. 10 last week, I was wondering if it was doomed to disappear given that sales and streaming aren't that high, but that strong radio total is good enough to help it maintain consistency as it's still the top radio song for a sixth week and hasn't wavered much overall, down just 1 percent from last week.

9- "No Tears Left to Cry" - Ariana Grande (+4) -- It's great seeing Ariana back in the top 10 after she got bullied out last week. She's actually seen pretty consistent numbers overall, but the best news is that pop radio has officially fallen in love with this song as it's No. 4 on pop radio and No. 7 overall on the radio charts, while having decent numbers on streaming and sales. So hopefully this resurgence will help this song stay in the top 10 and perhaps contend for a spot in the top five. I would really love that as this is probably my favorite song in the top 10 right now.

10- "Meant to Be" - Bebe Rexha & Florida Georgia Line (+2) -- This was actually the most surprising for me this week. After Bebe and FGL bowed out last week, I thought their run in the top 10 had come to an end. No hard feelings as it's been quite the run for this song. It never quite hit No. 1, but it had 11 weeks in the top five and now has accumulated 19 weeks total in the top 10. Those are solid numbers for a country pop hit that I still find catch and fun.


Rising on the Hot 100:





11- "Yes Indeed" - Lil Baby & Drake (+4) -- I totally forgot that this song was booted out of the top 10 last week, thus in hindsight I'm really glad it was Ariana and Bebe that snuck back into the region, leaving Lil Baby and Drake momentarily in the dust. I'm not confident that it'll stay that way, but with no radio and no sales, this is a streaming only hit, so that gives me hope this this won't stick around for long.

14- "Walk It Talk It" - Migos featuring Drake (+3) -- While Migos and Drake only managed one week in the top 10 with this song, this has managed to remain just under the top 10 for quite some time now. I'm just glad that it's been held back from returning because this is an annoying, useless piece of crap with no effort put in.

15- "Mine" - Bazzi (+8) -- Believe it or not, this song is actually No. 2 on pop radio and has been around the top for quite some time, so I'm surprised that this never hit the top 10, but certainly not disappointed as this is still more of a dumb internet meme that's barely even a full song. Let's keep it out of the top 10, please?

16- "In My Blood" - Shawn Mendes (+4) -- Kanye's album bomb kinda threw off Shawn Mendes' groove, but he's trying to recover as this song jumps back to No. 16 this week. I suppose I wouldn't mind if this song hit top 10, which still seems strange for me to say. Although I would prefer it if "Youth" is the song of is that becomes a bit hit.

17- "Perfect" - Ed Sheeran (+4) -- A momentary boost for Ed Sheeran as the charts reset after the Kanye album bomb. It's still surprising to me that I never got sick of this song.

20- "Better Now" - Post Malone (+14) -- A better song than both "Psycho" and "rockstar," although with Post Malone that's not saying very much as this song is tolerable at best. If it steals momentum away from "Psycho," than I suppose that's a good thing, but I won't be happy if this becomes equally as big.

22- "Back to You" - Selena Gomez (+9) -- I'm pushing for this song to become big. Or at least crack the top 10. The momentum for Selena continues to grow as this is now close to being a top 20 hit. I just hope it doesn't get stuck in the top 20 because as this really deserves to be a smash hit on the radio. Stop playing those dumb hip-hop songs on pop radio and start playing real pop music.

24- "rockstar" - Post Malone featuring 21 Savage (+5) -- A momentary boost for Post Malone as the charts reset after the Kanye album bomb. And thank havens because I still hate this song.

25- "Delicate" - Taylor Swift (+12) -- Taylor stalled a bit last week, as did most songs in the top 50, but I'm glad to see her recover again this week, continuing her upward momentum. This has hit top 10 on pop radio, which is excellent. It's good seeing Taylor finally gaining traction with a single from "reputation." That album really isn't that bad. She just released the wrong singles at first that rubbed people the wrong way, so it's good to see her correcting that and finding real success.

27- "Havana" - Camila Cabello featuring Young Thug (+6) -- A momentary boost for Camila as the charts reset after the Kanye album bomb. Although I really wish that Camila would've put more effort into promoting "Never Be the Same" because I wanted that to become equally as big as this song, but it sputtered out as she instead gave "Sangria Wine" a push. I still enjoy the latter, but I'm apparently the only one on the planet to do so as the song collapsed after its debut and still hasn't resurfaced on the Hot 100. So whatever Camila is doing is not working, which is unfortunate.

30- "One Kiss" - Calvin Harris & Dua Lipa (+8) -- I'm mildly surprised that this song hasn't risen faster. It seems like a solid summer hit that radio should be clinging onto, but it hasn't quite gained as much traction, even though it's doing decently well on pop radio. There's still plenty of time, though, and a top 30 appearance is encouraging.

32- "Tequila" - Dan + Shay (+9) -- The biggest country gainer this week. I'm not overly upset at this as I suppose this is a harmless country song. I've also never been emotionally invested in this, either, as I feel this is mostly an average, run of the mill country song about a guy complaining about losing his girl.

34- "Love Lies" - Khalid & Normani (+8) -- Here's a song that seems to be quietly flying in under the radar. While Camila has been struggling to find a follow-up hit after "Havana," our second Fifth Harmony girl is making her case as a solo artist and I'm also rooting her on. I'm not going to say I'm madly in love with this, but her and Khalid have solid chemistry on this song, making this a solid romance duet. If Normani does pursue a solo career, I think she has a ton of potential, perhaps even more than Camila.

35- "New Rules" - Dua Lipa (+5) -- Another song getting a momentary boost following the Kanye album bomb. Although I would really love for Dua to gain more success as she's a pop singer that deserves more attention.

36- "Te Bote" - Casper Magico, Nio Garcia, Darell, Nicky Jam, Ozuna & Bad Bunny (+7) -- Can we all agree to ignore this messy, crowded, lazy Latino song? I would love for it to go away.

38- "Taste" - Tyga featuring Offset (+21) -- For the second straight week following its debut, Tyga and Offset get a huge boost. And I have no idea why as this is a useless piece of trash. The rap community really has me confused as to why they drool all over themselves over garbage like this.

41- "All Girls Are the Same" - Juice WRLD (+8) -- The Juice WRLD song I don't care for. And apparently neither does the rest of the world as this is still down at No. 41 while "Lucid Dreams" is becoming a smash hit up there at No. 6 already.

46- "I Like Me Better" - Lauv (+7) -- It's excellent seeing this song hit top 50. It's already top 10 on pop radio, which makes me really happy. I hope it can continue to gain traction in other areas because I would love to see this get much higher on the charts.

48- "Get Along" - Kenny Chesney (+8) -- Is it bad that I already completely forgot about this song from Kenny? Not that I've ever really cared for him. I suppose there could be worse songs out there in the country world.

49- "Up Down" - Morgan Wallen featuring Florida Georgia Line (+9) -- Like this. I've given FGL more leniency than the probably deserve, but this song is pretty awful and I would love for it to go away.

53- "Woman, Amen" - Dierks Bentley (+13) -- It's a good week for country as this is our third straight song on this list. But it's also a bad week in terms of quality because this is our third straight song that's completely forgettable, which doesn't give me much hope for the immediate future of country radio.

63- "Mercy" - Brett Young (+11) -- Fourth straight country song and the fourth straight country song that I don't really care for. Which is unfortunate because I mostly like Brett Young as I really enjoyed his previous two singles. But this just falls into bland, empty country song territory.

79- "Youngblood" - 5 Seconds of Summer (+17) -- A harmless rise towards the bottom of the charts. There's not much to this song in terms of content, but musically speaking I suppose it's passable. So I'm neutral towards this. If it becomes a hit, then I probably won't be too upset. But let's wait and see because No. 79 still isn't anything to write home about.


New Arrivals:





39- "Reborn" - KIDS SEE GHOSTS -- Here's the third seven-track album produced by Kanye West in his five-week series this summer. We started things off two weeks ago with Pusha-T, continued last week with Kanye's own album and now this week we have Kanye and Kid Cudi's collaborative work, wherein they call themselves KIDS SEE GHOSTS instead of simply saying Kanye West & Kid Cudi. In case you're wondering, next week will be Nas and we'll finish things off in two weeks with Teyana Taylor. Although I'm not sure how those final two artists will do as Nas's album hasn't been that big these past few days on streaming and Teyana Taylor has yet to chart on the Hot 100, so I'm not sure how much people are aware of her with this second studio album that will be released tomorrow. I guess we'll take those as we come. As far as Kid Cudi goes, I'm not super familiar with his music. He was really big from 2008 to 2010 with his first two albums, but hasn't done much since that has been impactful on the charts. However, he did have a song called "Revofev" that was used in the advertising for "Kill the Messenger," a movie I really loved and that song was perfect for the movie's trailers and thus I've loved the song ever since. So I did have some hope for this album, despite it being him AND Kanye West instead of just him.

As far as this song goes, this is the fifth track of the album and even though I went into this album with a bit of hope, the previous four songs on this album are empty. The first two tracks have potential, but ultimately go nowhere while the next two tracks are pretty awful without any focus or direction. This fifth song is probably the best song thus far and is the closest to actually resemble a fully realized song with a total length of 5:24. Kanye's verse talks about all of his troubles and it's the best that Kanye has done recently with simply giving his emotions of what he's gone through without purposely trolling the world with his controversial statements. And I actually really like Kid Cudi's verse as he gets fairly raw and emotional with his own struggles. However, Kanye's verse is only 30 seconds long and Kid Cudi's verse comes close to 40 seconds like. Which means four of the five minutes of this song is Kid Cudi's chorus where he says he is reborn and moving forward. And it's a good, catchy chorus. But there's just too much of it. I would've preferred more in terms of content and less of the same repeated chorus that takes up the last two minutes of the song, the first minute and a half of the song as well as 30 seconds in between verses. So this is a much better effort from these two, but still not quite there for me.

42- "4th Dimension" - KIDS SEE GHOSTS -- The third track from Kid Cudi and Kanye's album. The first two tracks, "Feel the Love" and "Fire" had some potential with the setup and the framing, but ultimately went nowhere. With this third track, I have absolutely no idea what these two were thinking. In fact, I'm pretty sure that they weren't. The song starts by sampling an old 1936 Christmas song by Louis Prima called "What Will Santa Claus Say," which is a fun, groovy swing song. But then after the sample, Kanye and Cudi take turns going in strange, random directions that have nothing to do with the sampled song, made creepier by an interlude between the two of them consisting of a really creepy laughter. This song is disconnected, disjointed and I no longer want to think about it. So I'm just going to move onto the next song from the album.

47- "Feel the Love" - KIDS SEE GHOSTS -- Here's the opening track from this album and it starts with a lot of potential actually. Kid Cudi is handling the chorus of the song and it's a decent chorus with him repeating the line "I can still feel the love" over some decently catchy music. But the problem is that it doesn't go anywhere. There's only one rap verse and that's neither Kid Cudi nor Kanye, but Pusha T. And all Pusha T is talking about is drugs, girls and how he's better than everyone else. He has decent flow, but the content is boring and I don't know how it fits in with Kid Cudi's chorus. After that verse, the only thing that happens throughout the rest of the song is Kanye making gun sounds while Kid Cudi's line is repeated. So the framing of the song is just fine, but there's just no content here. It's like buying a nice picture frame, but hanging it on the wall with no picture inside it. I'm not quite sure what to do with it.

62- "Freeee (Ghost Town, Pt. 2)" - KIDS SEE GHOSTS -- The fourth track from Kid Cudi and Kanye's album, this song being a sequel to last week's song "Ghost Town" from Kanye's album "Ye." Thus this warrants a quick revisit of that song, which was extremely disjointed. We had PARTYNEXTDOOR saying he wants to smoke marijuana and relax on Sunday, a stretched out line from Kid Cudi, Kanye reminiscing that one day all this controversy will go away and finally a long outro where a random rapper named 070 Shake talks about not feeling pain anymore after putting her hand on the stove and feeling nothing. Why we needed a sequel to this is beyond me, but here it is. And it's not quite as disjointed as "Ghost Town," but I mostly find it boring. We start with an excerpt from a speech by Marcus Garvey saying that man in the full knowledge of himself is a superb and supreme creature of creation. After that, the rest of the song is a combination of Kanye, Kid Cudi, Ty Dolla $ign and Anthony Hamilton taking turns bragging about how they're free and they don't feel pain anymore. That's it. And yes, they stretch out the word free like in the title, but more. So it sounds like they're saying "I feel freeeeeeeeeeeeeeeeeeeeeee...," which gets really annoying after just one instance, but it continues for three and half minutes, as if they were all smoking marijuana while recording this song in the studio.

67- "Fire" - KIDS SEE GHOSTS -- The second track from Kid Cudi and Kanye's album. Following on the heels of "Feel the Love," this has these two heading in a positive direction. Instead of Kid Cudi sticking to the chorus and Kanye making sounding effects, while letting Pusha T handle the only verse that has nothing to do with anything, both Kid Cudi and Kanye actually have a verse on "Fire." But each of them only takes the time for a 30 second verse where both of them talk about troubles they've had or not caring about their haters. Framing the verses is a lot of instrumentals that are pretty good and an outro from Kid Cudi that serves as the song's only verse wherein Kid Cudi asks heaven to lift him up after all these scars he's received. Then the final 30 seconds is some sort of guitar riff that's a complete shift in tone, almost as if it was added on in post-production by accident. So the idea here is nice, but as a whole this is still very surface-level stuff. If Kid Cudi were to cut Kanye off the song, use his outro as an actual chorus and dive deeper with perhaps a few more verses, while keeping the same instrumentals, this could've been a good song. As is, though, it's more like an unfinished project that barely crosses two minutes thanks to that strange guitar riff at the end.

69- "Cudi Montage" - KIDS SEE GHOSTS -- To finish off the album, we have this seventh and final track called "Cudi Montage." I don't know what type of montage this is or why it's even referred to as a montage. Perhaps it's just a montage of everything else he's done on the album so far? Because, yeah, this song is rather boring. At the very least, Kid Cudi does a good job on this album providing interesting music and catchy choruses even if the songs themselves are a bit underdeveloped. This song has a boring chorus with no catchy beat with recycled themes from this album as if they were trying to drive it home on the final track, but ended up lazily copying themselves, with an added verse of Kanye trying to talk about world peace, of which in totally flubs the idea with absurd content despite a potentially interesting subject matter. You know, basically the story of Kanye West. So overall, this album had moments of potential, but ultimately it's all squandered with underdeveloped songs and Kanye ruining everything whenever he tries to say something he deems important. It's not awful, but I'm not impressed. I don't think the world is going to remember this album in a couple weeks.

73- "Kids See Ghosts" - KIDS SEE GHOSTS -- Here we have the sixth track from the album, which is the title track. "Kids See Ghosts" by KIDS SEE GHOSTS from the album "KIDS SEE GHOSTS." A lot of kids seeing ghosts. In other words, this has to be good or else this whole thing was a waste, right? Surprisingly, I really enjoyed the first half of this song. This has a dark beat to it which fits the dark title of kids seeing ghosts. Then we have the subtle ghost whispers while Kid Cudi rather depressingly talks about how kids see ghosts sometimes and I found myself really intrigued because I wanted to see where this was going. But then the whole thing is ruined by Kanye jumping in with his longest verse yet on this album where he dives deep into all the Kanye stuff that we've all hated him for these past weeks, months and even years. And the results are what we all knew this whole time. Kanye is an idiot. Yet he thinks he's not. He thinks he has a lot to say to his haters that will make them understand. But he doesn't. This song just makes you want to punch him in the face and cross your fingers that he just goes away and leaves the rest of the world alone.

84- "Lose It" - Kane Brown -- After listening to all of the "KIDS SEE GHOSTS" album, the intro to this song was rather refreshing. It was an upbeat, fun country song that I was enjoying. Unfortunately I specifically mentioned the intro was refreshing because then Kane Brown comes in with his deep, twangy, boring voice and I was brought back down to Earth knowing this was just another boring country song. I was open to it getting better. And I will still say that the beat is pretty good. But the content is as boring as Kane's voice. He sees a girl and she's so amazing that it causes him to lose it. Because we've never seen that in a country song before. He tells the girl that she has no idea what she's doing to him and when she approaches, he tells her that he just wants them to lose it tonight. Which had me facepalm. But at least he's not as explicit with his sex references as our next two songs from Nicki Minaj and Lil Skies.

88- "Rich Sex" - Nicki Minaj featuring Lil Wayne -- Eh, em. Do I need to even say anything here? Nicki is an awful rapper. I've never liked her. This song is exactly what you expect when you look at that title. She's talking about riches and sex. Except it's really gross and graphic. If this type of music is your thing, well then I'm sorry. I'm just not into listening to Nicki graphically describe how amazing it is to have sex with her.

90- "I Know You" - Lil Skies featuring Yung Pinch -- Yung Pinch? Really? On a song with Lil Skies? If this is what the world of music is coming to, I want no part of it. All this song is about is these two rappers rapping all about their newly found fame and how all these girls just want to sleep with them because their famous. But serious. Is anyone interested in listening to two rappers who the world barely knows bragging about how famous they are? This is almost as bad as the Nicki song, and makes the Kane Brown song feel extremely tame and clean. Turns out that I'd rather go back and relisten to the "KIDS SEE GHOSTS" album then revisit these final three songs.

Tuesday, June 12, 2018

DrogeMiester's Billboard Analysis - June 16, 2018

The new Billboard charts have arrived and so it's time again for me to give you my thoughts! In this weekly post, I cover three sections. First, I give my thoughts on the top 10 of the Billboard Hot 100. Second, I give my thoughts on the songs that experienced significant gains below the top 10. Third, I give my initial thoughts on our new arrivals this week. I reserve the right to switch things up in the future, but for now this is what I'm sticking with. I've followed the Billboard charts for a long time now and this is a great way for me to express my thoughts to the world. I hope you enjoy!

Billboard Hot 100 Top 10:




1- "Psycho" - Post Malone featuring Ty Dolla $ign (+1) -- I'm not one bit surprised that this happened, but I'm still really angry about it. I was hoping that this song would be blocked from hitting No. 1, despite it being in its 15th week in the top five, but Drake's song just didn't have enough momentum to keep that top spot while Post Malone is still celebrating decent sales due to his iTunes discount, good enough streaming, and shockingly strong radio that now sees it as No. 1 on pop radio. I don't even know why pop radio is playing this song at all, let alone playing it more than any other song around. The good thing about this song being in its 15th week in the top five is that it can't hold this spot for too much longer, so it'll be a quick reign for Post Malone.

2- "Nice for What" - Drake (-1) -- I don't think I've ever said that I wish Drake were No. 1 instead, but I was hoping this song would hold up well enough to keep Post Malone away from the top spot. But nope. Now we as a country look really stupid by allowing a lazy, piece of crap in Post Malone to have the No. 1 spot on our Hot 100.

3- "I Like It" - Cardi B, Bad Bunny & J Balvin (+4) -- I wasn't sure what this song was going to do, but now it appears that it's here to stay as the video premier has now bolted it into the top five after it roared back into the top 10 last week. While not the worst thing Cardi has done, I still don't like the fact that this song takes a really good song an spits in its face with atrocious additions to the song from all three of these acts. But if this can be the cause of taking down Post Malone from that top spot before he gets too comfortable, then I'm all for it. In the meantime, I would like there to be a song to come around that's actually worthy of hitting that No. 1 spot.

4- "Girls Like You" - Maroon 5 featuring Cardi B (+90) -- What in the blazes is this doing here? I'm genuinely shocked. After this debuted last week at No. 94, I was hoping that it was a sign that the world has stopped caring about Maroon 5. But nope. Apparently the release of the music video, which took effect on the Hot 100 this week, gave this song huge streaming numbers and even bigger sales numbers with it being the top selling song this week. And I have no idea why. At best this is an average filler song on a boring Maroon 5 album. Adding Cardi to the song turned a boring song to an awful song. Even though it's not hard to outdo Maroon 5 on a track, her verse does not fit in at all with the track and just makes this a lazy, desperate piece of crap. I can only that this takes a good tumble next week after the boost from the video wears off.

5- "God's Plan" - Drake (-3) -- It was only a matter of time. This song has been here for a long while now and has been losing steam for the last month or so, but has only stuck around because nothing else was willing to step up. Now things have stepped up and thus Drake finally falls. And I think this is only going to start falling faster as I could see a few songs right below it also passing it up in the next week or so.

6- "Boo'd Up" - Ella Mai (+2) -- Ella is going to need to start picking up on radio a bit faster than the she is if this song is going to be a huge hit, but she does have really strong streaming that is remaining consistent, so that should be good enough to at least keep this song around in the top 10 for quite some time.

7- "This is America" - Childish Gambino (-3) -- I'm not sure how much longer this is going to last in the top 10. Streaming continues to trend downward and the radio is just not there to keep it held up as the streaming continues downward. But that was kinda to be expected as this is less of a traditional single and more of a huge political statement with the video. With it hard to separate the two, it makes sense that radio is really responding and sales have never been too high.

8- "Yikes" - Kanye West (new) -- Kanye's new album "Ye" debuted on the charts this week, with all seven tracks debuting in the top 40. This means I'll have plenty to say about it in our new arrivals section. But my short word on this song is that it could've worked out as it has a dark premise and a catchy chorus. But I just can't get over what he said about the #MeToo movement on this song, which makes it the most frustrating song on a very unintelligent album from a man that seems to have a really low IQ. Let's hope that this is just here for a week and then goes away.

9- "Lucid Dreams" - Juice WRLD (+6) -- I defended this song when it first debuted, but then I was shocked that it rose so quickly on the Hot 100. Now after just a few weeks on the charts, it's broken the top 10. I had to re-evaluate this song after seeing it rise so quickly. After doing so last week, I'm still a fan of the song and I'm happy that it's here in the top 10. In fact, this is the No. 2 song on streaming right now, meaning that it will most likely be the top streaming song next week after Kanye's album fades away. The problem is that it has no radio at the moment and the sales just don't exist. I could see pop radio picking this one up and loving it. But it hasn't happened yet. If it does, I could see this contending for the top spot. But for now its monster streaming numbers will do a great job of keeping it around in the top 10 until the other metrics catch up.

10- "The Middle" - Zedd, Maren Morris & Grey (-5) -- I was honestly surprised to see this song collapsing this week. It's still No. 1 on the radio charts, even though it ceded the top spot on pop radio to "Psycho," which still makes no sense to me. But I guess being held up by radio only just wasn't enough to survive the storm of everything else that happened this week in the top 10. I suppose I'm not upset as this has had a good run. Although I wouldn't surprised to see this stick around still, especially if some of these other songs end up being one-week wonders in the top 10.


Rising on the Hot 100:





31- "Back to You" - Selena Gomez (+7) -- Due to Kanye's album, most of the Hot 100 below the top 10 stalled out. Which is why I'm really happy that the lone song that rose high enough to qualify for this section of my list. That means it seems to be gaining real traction on the charts and has the potential to get boosted even higher once Kanye's album fades. Let's hope that holds true because this is a really good song from Selena that I want to see become a huge hit.

59- "Taste" - Tyga featuring Offset (+23) -- Out of all the dumb rap songs to debut last week, I really don't know why this is the one to get a huge boost. Not that any of them deserved it, but this one probably deserved it the least. I don't imagine Tyga had anything to do with it. That Offset feature was probably the big reason here.

79- "Lovely" - Billie Eilish & Khalid (+10) -- I am super excited to see this song get a good boost this week. This is one of my favorite songs of the year so far, so I'm hoping Billie and Khalid will continue to gain momentum so that this song can at least be a decent top 50 hit that hangs around for a while.


New Arrivals:





8- "Yikes" - Kanye West -- My reaction when I saw Kanye's new album was dominating streaming, meaning I had to cover this whole thing this week. I knew this album was coming, but I was hoping that we could all just ignore it. But nope, Kanye had to go and say some really stupid things a month or so before the album was released so that he could put himself right in the spotlight. Controversy sparks curiosity, thus the worlds most annoying troll just won with all seven songs from his mini-album charting in the top 40. This is the second track from the album if you care to follow me in the order that the album goes, following "I Thought About Killing You." The main theme of "Yikes" is Kanye talking about his drug addiction, which he talks about being menacing and frightening to him as it could end up killing him like it did Michael Jackson and Prince. That's all fine and dandy, and he actually puts together a really catchy chorus that almost made me give this song a pass. But then he starts rambling on in his verses, which sees him completely dissing the #MeToo movement in his first verse, like so:

"Russell Simmons wanna pray for me too; I'ma pray for him cause he got #MeToo'd; Thinkin' what if that happened to me too; Then I'm on E! News."

In other words, the #MeToo movement is bad and we have to pray for people who got victimized by the movement. NO!!!! If we're praying for people, it's for the people who have been victims of sexual assault who haven't been able to do anything about it because the world cares too much about the celebrity status of individuals, thus we end up protecting sexual predators. And Kanye wants to continue protecting sexual predators by trying to get rid of the #MeToo movement? This is disgraceful. But it's exactly what happens when Kanye opens his big mouth and starts talking.

11-  "All Mine" - Kanye West -- The third track from Kanye's album. The positives of this song is that he doesn't say anything super offensive like he did on "Yikes." But he's also not saying anything super intelligent. The message of this song is infidelity. He talks about the controversy that would rise if he showed up in public with Kerry Washington, Naomi Campbell or Stormy Daniels. Then he says the only reason why Tristan Thompson and Kobe Bryant are still married, despite their cheating scandals, are because they are good ballers. I'm not sure what his purpose to all this because he kinda just says these things, then goes off on dirty tangents while letting whoever Ant Clemons is take care of the dirty chorus in between.

16- "Ghost Town" - Kanye West -- The sixth song from Kanye's new album is a very strange and disjointed one. Kanye himself is only on the song for a few brief moments, which is probably a good thing, except for the fact that he's somehow better than the other three people he features on this song. We start with PARTYNEXTDOOR saying that someday he wants to rest like God did on Sunday, while smoking marijuana and doing what he wants to. His final two lines are slurred and mumbled as if he got drunk and passed out when recording. Then Kid Cudi jumps in and gives a cringeworthy bit where says two quick lines that are extremely stretched out. Then comes Kanye's verse where he reminisces that some day all the controversy will be gone and he can live in peace. A day that will never come until he learns to shut his dumb mouth. Then we get Kid Cudi's bit repeated, followed by a two-minute outro by new rapper 070 Shake, that was apparently not finished until the day this song was released. And I don't know why because it's a lazy, repeated bit where he's repeating that they're the kids they used to be and nothing hurts anymore. The instrumentation behind the song is fine. But the rest of it is so weird and disconnected that I don't know how anyone could listen to this.

24- "Wouldn't Leave" - Kanye West -- The fourth track from Kanye's album. In this track Kanye sings praises to his wife for sticking with him through thick and thin. I guess he felt he probably had to throw this one in here after his ramblings about infidelity in the previous track, "All Mine." He acknowledges all the stupid things he's done and said, claiming he feels bad about them. Which I don't really buy because he says more stupid stuff on this album that's equal to or worse than previous things he's said. He also not so subtly throws out his "Slavery was a choice" comments, adding afterwards that "Just imagine if they caught me on a wild day." This feels like he's trying to justify those comments, saying they were mild and that he's said and done a whole lot worse. Which I believe. But it still doesn't justify that his slavery comments were awful and him trying to downplay them is really stupid. But whatever. The rest of the song sees a decent chorus from PARTYNEXTDOOR, with Jeremih and Ty Dolla $ign chipping in, with verses from Kanye that are otherwise decent. Even if I don't buy he actually had positive intentions with this song, as it seems more self-centered in trying to make himself look good, this is mostly a fine track if you play it on its own. So it's whatever.

27- "Violent Crimes" - Kanye West -- This is the seventh and final track from Kanye's album. After listening to this, I was just glad this listening experience was over. Even though I barely consider this an album as it's barely over 20 minutes, I was glad that Kanye went that route because it meant that I didn't have to cover more from him. This finale is decent, I suppose. 070 Shake, who was featured on the previous track "Ghost Town" gives the chorus to start and end the song. He doesn't really say anything interesting outside setting up Kanye's long verse wherein he discusses his change in mindset after having two daughters of his own. Before he saw girls as something to conquer and now he sees them as something to nurture, then talks a lot about his fears for the future as he plans on being a very protective father towards his daughters. This is certainly the most interesting thing he's talked about on this album as his blunt honesty proves that he also has a bit of a good side amidst most of the murky crap. I still think some of the specific lyrics here show his unintelligence, but compared to most of the rest of his album, this is passable. 

28- "I Thought About Killing You" - Kanye West -- Well that's a disturbing title. Coming from the rapper with the world's lowest IQ makes it even more disturbing. This is actually the opening track from Kanye's new album where he starts off with spoken word, which consists of half of this nearly five minute song. This finds Kanye being honest right off the bat, which is something I normally appreciate. It's better than cliche nonsense that people normally do. But Kanye being honest is just laughably unintelligent. In his spoken word, he says that he thought about killing you and he thought about killing himself, and he loves himself way more than he does you. And he repeats that dialogue a few times, while adding in there that you'd only care enough to kill someone you love. What? Then he tries to justify it by saying that he's supposed throw in something good, so what he said doesn't come off as bad, but instead he decided to be honest and finish that by saying that sometimes he thinks bad things. And I'm just left dumbfounded at how stupid this man is. Then he starts rapping in the second half of the song, which is blocky and boring, seeing him rambling on about a whole bunch of stupid stuff that only makes his case worse.

36- "No Mistakes" - Kanye West -- This is the song that charted last from Kanye's album, but follows after "Wouldn't Leave" as the fifth track from the album. This is a really simple song. It has one verse from Kanye that is framed by a chorus from Charlie Wilson and Kid Cudi that states "Make no mistake, girl, I still love you." The final chorus also echoes in the line "Believe it or not, the Lord still shines on you." The verse in between is something that I don't really know how it fits in with the chorus as Kanye talks about how rough the past year has been for him, how he's not taking advice from people less successful than him as well as a few other random things that just seem random. An inoffensive song. But a useless one where I don't understand the point of it. It's also the shortest song from the album at barely two minutes.

55- "Simple" - Florida Georgia Line -- Despite how much praise I've given "Meant to Be" these past several months, I still don't necessarily get excited for a Florida Georgia Line song, especially when they're on their own and not featuring a good pop singer like Bebe Rexha, which is a big reason why I enjoy "Meant to Be." But this works decently enough. Dare I say that this is a... simple song? Because it is. It has a fun, upbeat tune that feels a bit folky to me with a nice banjo strumming in the background. The lyrics are the male voice claiming he wants a simple romance with his girl, thus fitting the simplicity theme of this song. I think it could've used another voice in the mix, maybe to play the voice of the female as the song might get a bit overly simple and thus not super memorable. But I'm not upset that it's around and I'll be fine if it does well.

81- "Must've Never Met You" - Luke Combs -- I haven't been a fan of the previous songs released from Luke Combs' recent album, that being "One Number Away" and "Beautiful Crazy" from this year, so I didn't expect much from this and in turn I didn't get much, so I guess the song met my expectations. This is Luke being a little overly bitter as he complains at all these cliche phrases used to make people feel better, because obviously the people that came up with them didn't know this girl and how awful she was to Luke. As if Luke is the only person to every experience a breakup and is the only one to feel pain afterwards. Yeah, it feels a bit self-absorbed even though it's trying to be real and human. I just don't buy it. And it's too heavy on the country rock for the music itself to fit with the lyrics that he's singing.

85- "Humility" - Gorillaz featuring George Benson -- It's not too often you wake up and learn a Gorillaz song has charted on the Hot 100. In fact, it's been 13 years to be exact as their previous Hot 100 entry was "DARE," their follow-up single to their smash hit "Feel Good Inc." in 2005 from their album "Demon Days." Although they have been active recently as they released an album just last year called "Humanz" that sold decently and had songs chart in various countries and on the U.S. rock charts, but not on the Hot 100. Now they're back with their sixth studio album "The Now Now" later this month that finally got them back on the Hot 100 with this lead-off single. The feature of George Benson means he's also back on the Hot 100 for the first time since "No One Emotion" in 1985. So this is a pretty significant entry here. Now I can't honestly say I'm a huge fan of the Gorillaz. I love "Feel Good Inc.," but that's the only song of there's that I've really gravitated to. That said, I would certainly prefer Gorillaz over most everything else on the charts today, so this is a welcome entry and a rather groovy song. It's fairly mellow and laid-back, but has a good enough beat to it that'll make you want to dance around in your chair as you listen. I want to say the lyrics jump out at me and are mind-blowing, but they're really not. Serviceable, I suppose. And given that I'm not super huge into this group, don't ask me how this compares to their previous work, because I don't know. It's not as hot and fiery as "Feel Good Inc.," but few songs are. Yet I enjoy it and I would love to see this gain traction on the charts, although my confidence in it doing so is not super strong.

89- "Africa" - Weezer -- First we get Gorillaz on the Hot 100, now we have Weezer? This just a couple weeks after Backstreet Boys also charted. Remind me a gain what year this is? Because Weezer haven't charted since 2009 and this is actually only their sixth song to hit the Hot 100 as they've mainly been content to dominate the U.S. Alternative Songs chart over the course of their career. Although Rivers Cuomo himself charted as recently as 2010 as featured on B.o.B's "Magic," a song that I've always loved. Weezer themselves, if I'm being honest, is a band that I've heard my friends talking about over the years more than I've paid much attention to myself. A lot of people in my Junior High and High School loved Weezer. I never jumped on the bandwagon for whatever reason. Although this song specifically doesn't require a vast knowledge of Weezer as this is a cover of Toto's popular 1982 song "Africa." They did this following a viral Twitter campaign requesting they do so after they covered Toto's "Rosanna." They don't reinvent the wheel with this cover. It's actually mostly a beat for beat cover, with the main difference being Weezer add their own stronger modern rock edge to it. Rivers Cuomo does a great job of matching the vocals of the original song and they also throw in the synthesizer and other instruments of the original. This performance me of when you go to a rock concert and the band does a quick cover of another previous classic just a change of pace. It's often an enjoyable change of pace while you wait for their main stuff. And it's fun to have this song and Weezer back on the charts.

96- "Youngblood" - 5 Seconds of Summer -- I was also surprised to see this group back, although the sad part of that is that they came back in March of this year with "I Want You Back" and I already forgot about that song. Both "I Want You Back" and "Youngblood" will be on their third studio album, which gets a release later this week, in case there's anyone on Earth that still cares about this group. It's always funny to me reading about a group like this talk about the writing process of a new album and song because it just confuses me. If they really put all this work into a new song or a new album, why does always end up so generic and boring? He's just bantering about a relationship, wanting this girl back in his life. It's something that we've heard a thousand times before, done better hundreds of time. To their credit, though, the chorus does have a bit of life to it. They go from a smooth intro to the sharp chorus with some aggressive vocals that play rather well. So that might make this more memorable than their previous efforts. But I still wish they had something in terms of content.

99- "Sin Pijama" - Becky G & Natti Natasha -- For some reason I thought I'd already covered this song. But no. This is the first week it's charted on the Hot 100. I guess my faulty thinking came because the Music Video Sins YouTube channel covered this music video about a month ago as it's already topped 300 million views after being published on April 20 of this year. So I guess it just took a while to finally chart here in the U.S. Without looking up any of the lyrics to the song, as it's all in Spanish, a direction I'm totally fine with Becky G going, I'd say this is a fun Latino dance song. It has a fun beat to it that's worthy of dancing to. Becky G and Natti Natasha play off each other quite well, even though it's sometimes hard to tell the difference between the two if you listen casually as their voices are fairly similar. Problems do arise when you actually translate the lyrics or you know Spanish. I don't know a lot of Spanish, so I often play the ignorance card here when the beat and music are good, but the lyrics are sketchy. It doesn't take much to figure out that title. "Sin" translates to "without," which is what I guessed before looking it up, because I do know a bit of French from Junior High and I knew that "sans" is the French word for "without." And, well, that second word is the same in English and Spanish, so you connect the dots.